The Devil Wears Prada 2 Reignites Miranda and Andy's Power Dynamic in New Teaser
Disney’s 20th Century Studios is pulling Runway Magazine back into the spotlight. Nearly twenty years after The Devil Wears Prada became a fashion-world touchstone, the first teaser for The Devil Wears Prada 2 has arrived, reuniting Meryl Streep and Anne Hathaway and giving fans a sharp, stylish glimpse of where Miranda Priestly and Andy Sachs are now.
Back to Runway, older and sharper
The teaser keeps things simple. Set once again to Madonna’s “Vogue,” it follows Miranda striding through a sleek hallway in signature red heels before stepping into an elevator. Just as the doors start to close, Andy’s hand stops them and she joins her former boss inside, prompting a perfectly icy greeting from Miranda. It is a quick scene, but it proves that their complicated push-pull dynamic is still very much alive.
Plot details currently remain under wraps, but the sequel picks up almost two decades after the original and finds Miranda navigating a fashion industry transformed by social media and the decline of glossy print, while Andy has become a powerful figure in the luxury world rather than the wide-eyed assistant she once was.
A stacked cast and a changing industry
Streep, Hathaway, Emily Blunt, Stanley Tucci, Tracie Thoms and Tibor Feldman are all back, with director David Frankel and screenwriter Aline Brosh McKenna returning as well. New faces include Kenneth Branagh as Miranda’s husband, plus Simone Ashley, Lucy Liu, Justin Theroux, B.J. Novak, Rachel Bloom, Pauline Chalamet, and more.
One notable absence is Adrian Grenier, who will not return as Nate, Andy’s much-debated boyfriend from the first film, a choice that works considering that fan readings of that character have shifted over time.
Between the returning creative team, an expanded ensemble, and a teaser that leans into nostalgia without feeling stuck in 2006, The Devil Wears Prada 2 definitely had our attention.
The Devil Wears Prada 2 is set to hit U.S. theaters on May 1, 2026.
