Hannah Griffiths Breaks Down Her Role in Black Mirror Season 7
interview
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interview ✦
The influential Netflix anthology series Black Mirror has officially dropped its seventh season, where Hannah Griffiths stars as Luisa in its standout second episode, "Bête Noire." Crafted by franchise veterans Charlie Brooker and Toby Haynes, the episodic chapter plunges viewers into the series’ trademark tension, centered on Maria—a chocolate company executive played by Siena Kelly—as she grapples with a chilling mystery from her past. Because nothing is ever simple in the Black Mirror universe.
Beyond her standout role in Black Mirror, Griffiths is also taking the time to unveil her range as a well-rounded creative with her debut short film, I Won’t Forget (which she wrote and directed), exploring grief within a fractured family. Now, on the heels of both projects, Griffiths is talking to us about her exhilarating Black Mirror immersion, and the significance of taking the time to develop her voice as a filmmaker.
Photography: Phil Sharp
Congratulations on joining the Black Mirror universe! How did it feel to contribute to this iconic anthology series, and were you more excited or nervous upon getting the role?
Hannah Griffiths: Thank you so much! I was absolutely over the moon to be a part of the show, not only because it was an incredible opportunity for me as an actor, but also because I was already such a huge fan long before I ever stepped on set. This show has meant so much to me for so many reasons the storytelling, the characters, the world it builds, so getting the chance to contribute to that universe was genuinely surreal. I’m so grateful to the entire team for welcoming me so warmly and trusting me with a role in something so special.
In "Bête Noire," you play Luisa alongside Siena Kelly and Rosy McEwen. Can you tell us anything about Luisa’s role in the story—or at least what it was like stepping into her shoes without spoiling the plot?
Hannah Griffiths: Stepping into Luisa's shoes as the newest intern was such a fun experience. Her lighthearted energy and humor brought a refreshing contrast to the darker tone of the episode, and it was exciting to explore that dynamic. Playing with a character who effortlessly lightens the mood while navigating the seriousness around her was a unique challenge. Sharing the screen with Rosy and Siena was a true joy; their talent and chemistry made every moment even more memorable.
The episode follows Maria, a chocolate company exec, and hints at something unsettling only she notices. How does Luisa fit into that dynamic, and did you find the Black Mirror twisty vibe influencing your performance?
Hannah Griffiths: Luisa for sure feels the tension building around her, but she must adapt like everyone else on the team. What I love about her is how she brings some lightness into an otherwise tense environment, offering moments of relief. Performance-wise, I definitely felt the ‘twisty’ vibe of Black Mirror, the unpredictability and dark undertones are always present. That constant tension and mystery are what make Black Mirror so compelling, and it was exciting to bring that to life.
"Bête Noire" is directed by Toby Haynes and written by Charlie Brooker—both big names in the Black Mirror world. How did their vision shape your approach to the role?
Hannah Griffiths: As a fan of both of their work beforehand, I already had a deep understanding of their vision and the kind of storytelling they value. So, when I read the script for the first time, I was immediately struck by how easily I connected with my character. It felt natural to immerse myself in the world that Charlie had so thoughtfully crafted. Working alongside Toby was a fantastic experience. His direction and vision were inspiring, and collaborating with him to refine my character was truly rewarding.
Photography: Phil Sharp
The series is known for blending tech and human nature in some pretty wild ways. Was there something specific about Black Mirror that intrigued you before signing on?
Hannah Griffiths: Black Mirror is an incredibly fascinating show, and I’ve been a huge fan of it long before I even had the chance to be involved with it. Every single concept explored in the series is so meticulously crafted, with attention paid to even the smallest details, making each episode feel like a carefully constructed piece of art. The way the show dives deep into the complexities of technology, human nature, and the darker side of society is truly groundbreaking, and that’s what makes it stand out in such a unique way.
These episodes tend to develop their own following, and fans are already talking about Season 7, with its mix of new and returning stories. Is there something specific about "Bête Noire" that you think fans will gravitate to?
Hannah Griffiths: I think the fans will gravitate towards the comedy in this episode as it really stands out because it acts as a deflection to the growing tension. As the stakes rise, the humor provides a much-needed breather, allowing the audience to relax before the drama intensifies again. What makes this work so well is how seamlessly the humor fits into the story without undermining the serious moments!
Beyond Black Mirror, you’ve just written and directed your debut short, I Won’t Forget, about grief in a toxic family. How did that experience compare to your initial expectations about the filmmaking process?
Hannah Griffiths: I absolutely loved the entire process and the opportunity to take on the challenge of directing my own vision. As an actor, it's not something you often get to do, so having the chance to step behind the camera and really immerse myself in the creative process was incredible. I was able to experiment in ways that I don’t usually get to, and it allowed me to fully explore the story I had written. Being able to bring that vision to life from both an actor’s and director’s perspective was incredibly fulfilling. The experience not only expanded my understanding of the craft but also gave me a deeper appreciation for the collaborative nature of filmmaking. I would love to take on this challenge again in the future, as it was both creatively enriching and personally rewarding
